WOVEMBER

I know that many of you are sad that the fabulous gals behind Wovember aren’t running it as an organised campaign any longer. However, knitters and crocheters are still celebrating all the woolly goodness this month and, in recognition of that, I have a coupon running for 25% off all my non naturally dyed British wool. If you click here the coupon should be automatically applied when you checkout.

Coupon runs until I decide to stop it, or the stock runs out. Naturally dyed yarn is NOT included in the coupon offer.

Happy knitting!

Jacob Wool and my Brazen base

Last week, I was talking to a very experienced knitter about different breeds of wool and I casually made a comment about the characteristics of a particular breed wool. She asked me what I meant, so I explained, but at the same time it occurred to me that I’ve done very little to record my knowledge on the different characteristics of each of the breed yarns I stock, and that this knowledge might actually be helpful to other knitters.

So I’ve resolved to do a little write up for each of the breed wools I stock. This is the first one.

History of Jacob Sheep

© Jacob Sheep Society

Jacob sheep have a very distinctive fleece with patches or spots of dark coloured wool on a white wool background. The breed is thought to be one (or at least related to one) of the oldest breeds, probably originating in The Middle East around 4,000 years ago. There are examples of spotted sheep in ancient Egyptian art and there is also a bible story which attempts to explain how the distinctive coloured fleece came into being.

The breed first came to Britain in the 17th century as an ornamental sheep to graze in the deer parks surrounding stately homes, and consequently they don’t form part of the U.K. stratified sheep farming system (more on this to come in a future post) but with the changes to society after the First World War, many flocks disappeared and by the 1960s, there were very few Jacob sheep left in the UK. However, a small number of dedicated breeders and enthusiasts formed the Jacob Sheep Society in 1969 and saved the breed from extinction.

Sheepy facts

Their fleece makes Jacob sheep one of the most easily recognisable breeds of sheep. They always have horns, either two on top of the head, or four as worn by this formidable fellow.

© Jacob Sheep Breeders Association

They make good mother’s, who have a high lambing rate (commonly having twins) and generally easy births. They are also hardy and long lived, so they easily over winter outside and attract few disease problems. Their good health means they can rear lambs for a long time; 7 years or more is not uncommon.

More information can be found at The Jacob Sheep Society.

Wool characteristics

As I’ve already mentioned, Jacob sheep have a variety of colours in their coat, from creamy white through to dark brown/black. The colours appear in well defined patches so it’s possible to sort the fleece into light and dark, and also to blend the yarn to give graduated shades of the natural yarn.

The individual fibres of the fleece are quite thick, with a good degree of springiness and a staple length of between 75mm to 180mm (3 inches to 7 inches) . The micron count varies from 25 to 27.5 for fine fleece to 30 -33 for regular fleece.

The thicker individual fibres mean the fleece isn’t generally suitable to be spun into lace weight yarn but it works particularly well spun into a double knit or aran weight yarn. It is these two weights which I stock in my shop.

© Jacob Sheep Society

Uses for the yarn

Jacob’s wool takes the dye beautifully with the potential for a nice tone and a good depth of colour. The wool is crisp, but not scratchy, and smooth rather than fluffy. These characteristics make the yarn very versatile and it can be knitted and crocheted into a wide variety of items, from blankets, to sweaters and hats. I have a sweater in Jacob wool and find it very comfortable and warm. I don’t tend to wear my sweaters next to my skin (preferring a layer underneath) but I don’t notice any discomfort around my neck or wrists where the wool touches bare skin.

I’ve heard it said that it probably isn’t suited to baby clothes and I’d tend to agree with this. However, I wouldn’t hesitate to use my Jacob base for my children’s clothes, especially if it’s not intended to be worn next to the skin, for example sweaters etc.

Fabric produced in Jacob’s wool is hardwearing with very little piling. Additionally the garments retain their shape when hand washed and dried flat (no stretching or shrinking). These qualities mean that any garment made from Jacob’s wool will be long lasting, which is a quality I’m especially keen on as larger garments generally take a lot of knitting, so I’d like them to last, more or less, forever.

It’s extremely difficult to felt Jacob’s wool, which is a commendable feature, should your hand knits inadvertently end up in the washing machine, as mine do from time to time. However this does mean the wool wouldn’t be useful for items that require a degree of felting such as slippers or bags.

I have also found that it holds its shape well whilst being knitted, so if your needle should accidentally slip out of a few stitches, they tend to stay in place awaiting the needle again, rather than running away down the fabric. The wool also takes frogging and reknitting well. This makes it a good learners wool.

My Jacob’s wool base is called Brazen and is available in both double knit and aran weight here.

Let’s talk about Silk

I’ve been wanting to write this post for a while, but not really daring too. It flies in the face of so much of what I see on social media. Silk is almost universally adored for its lustre and softness. It takes a dye beautifully and for that reason is much beloved of hand dyers. And was much beloved of me too for a long time. But then I learned how silk was produced and I no longer see it as desirable.

So, a quick history lesson:

According to Chinese legend, Empress Hsi Ling Shi (there are multiple spellings of her name), was the first person to discover silk as wearable fibre. There are several variations of this legend, all on a theme. But they generally go like this; the Empress was drinking tea under a mulberry tree, and a cocoon fell into her cup and began to unravel. Or she saw a silk worm spinning it’s cocoon whilst out walking in the palace gardens and thought it would be wonderful to be attired in such a fibre. You get the idea.

©wikipedea.com

What is certain is that someone or a group of someones, three thousand ish years ago, discovered the fibre produced by the Bombyx mori silkworm found living on the white mulberry, and developed what is known as Sericulture, the cultivation of silkworms, and invented the reel and loom.

Initially, silk was worn exclusively by Chinese royalty, but silk cloth spread gradually throughout the China and then into Asia and Europe. Demand for silk in Europe eventually created the trade route now known as the Silk Road, taking silk westward and bringing gold, silver and wool to the East.

The Chinese wished to maintain their monopoly on this lucrative industry and travellers were searched thoroughly at border crossings with anyone caught trying to smuggle eggs, cocoons, silkworms or even mulberry seeds out of the country were summarily executed. However, eventually silk production did spread, first to Korea, then to India, Japan and Persia. And silk spinning and weaving became widespread throughout Europe. There is an old silk mill quite near to my home although it is currently closed (reopening August 2018).

© Hampshireattractions.co.uk

Why all the fuss?

Silk is a remarkable fibre. In spite of its delicate appearance, silk is relatively hard wearing. Its smooth surface resists dirt and odours. It is wrinkle and tear resistant, and it dries quickly. It is also a surprisingly good insulator so is great added to wool for winter garments and it can be worn as a second layer underneath to warm without being bulky. It can absorb up to 30% of its weight in moisture without feeling damp so will absorb perspiration while letting your skin breathe, which makes it great for summer garments too. It’s also the most hypoallergenic of all the natural fabrics thanks to its unique structure.

But the real oooh factor for silk is its unique sheen, which means colours radiate and assume a luminescence.

So what is my issue?

I’ll admit it. So far, this post has sounded like an advert for the silk industry. And this is as far as most people want to go when thinking about silk. But my discomfort comes from the way the silk is made. It’s time for a bit of biology. If you can remember back to your school days, and your lessons on the life cycle of the butterfly, the silk worm is very similar, in that, left to its own devices, the silkworm goes through 4 stages.

© kullabs.com

The first stage is the egg. The female silkworm will lay up to 400 eggs in clusters on mulberry leaves. The female dies after egg laying. The eggs hatch into larvae in around 11 days. This larval stage is the second stage. The larvae eat the mulberry leaves and moult 4 times, growing bigger each time they moult. After the final moult, the larva spins a protective cocoon of silk around itself and turns into a pupa. This is the third stage. Nothing appears to happen at this stage but inside the pupa, the worm is undergoing massive changes called metamorphosis, which change the silkworm larvae into the moth. The moth breaks out of the cocoon and flies off to mate and, in the females’ case, lay more eggs and so repeat the cycle.

However, silk production rudely interrupts the cycle at the third stage, when the silkworm is a pupa. If the silkworm is allowed to hatch out of the cocoon, the silk on the cocoon will be broken into short lengths rather than unwinding in a long single strand. This is not helpful when spinning silk. So, the silkworm farmers, kill the silkworm at this stage by placing the cocoons in boiling water. The heat kills the pupae and, happily for the silk spinners, makes the silk fibre easier to unravel. It is said that the silkworms can then be eaten but I have been unable to find much evidence that they actually are eaten other than out of desperation or as a ‘delicacy’ sold to tourists (although if you are a regular consumer of silkworms, I would LOVE to hear from you.)

© squishfibrearts

So, silk production is terminal to silkworms. And this does not sit well with me. I’m not a vegan, or even vegetarian. But, I don’t eat meat everyday and when I do eat meat it is always high welfare and organic, if I can get it. I also use as much of the meat as I can, making stock for soup and risotto from bones and using up all leftovers. I acknowledge that animals have to die so I can eat meat. This does not make me feel warm and fuzzy inside (how could it?) but it’s something I think about, talk to my children about, and keep under constant review. But, I just cannot get comfortable with the idea that an animal had to die in order to give me a lovely lustrous garment, so I can look good. I just can’t look at silk garments and think they are gorgeous. I look at silk garments and see dead silkworms.

Ah, but what about peace silk? Peace silk (sometimes called Ahimsa silk) is produced from cocoons that are collected after the moths have emerged naturally. This all sound soothingly natural and happily non fatal to the silkworm. However, there are no certification authorities for peace silk and it’s entirely possible for conventional silk producers to label their products as peace silk. Additionally there are no welfare standards for peace silk so the silkworms are still potentially subject to mistreatment, by, for example, being forced from their cocoons too early, or forcing the female moths to lay their eggs on trays rather than on mulberry leaves, and putting males into a refrigerator, bringing them out occasionally to mate and then throwing them away when they were no longer able to mate. In my experience, where there is money to be made and no authorities to check, abuses inevitably follow.

My feelings also apply to recycled silk. This is basically the remnants of conventional silk left over from sari manufacture. It’s a nice way to make sure all the silk is used and not wasted but silkworms still died in order to produce it.

So where does this leave me? Well, here is the thing, in relation to woollen garments, I don’t even need silk. In the last few years, silk has been increasingly blended with that most common of breed wools, Merino, because, despite its supreme softness, Merino doesn’t bear much lustre or strength, and silk gives it both of these. This is how I purchased most of my silk (before I felt out of love with Merino – but that’s a post for another day) and I do own a couple of hand knit sweaters in this blend. But, lately, I found myself wondering why I even need my hand knits to be shiny? What’s that all about? In any event, you only need to look to a breed like Wensleydale for softness and lustre.

So, given I don’t need to wear silk, I’m happy to state that I’m not going to stock it in my shop. You will never see me dye pure silk or a silk blend. No more silkworms will die on my account!

Flockfest, here I come!

So, it’s Yarn Shop Day tomorrow (Saturday 12th May) and I’m exhibiting, along with lots of other dyers and purveyors of buttons etc, at Flockfest at Flock on the Plain in Woodbury in Wiltshire. To say I’m excited, is to significantly understate how I’m feeling.

I thought I’d give you all a preview of some of the hand dye British wool I’m taking with me.

I have totally fallen I love with these Blue Faced Leicester sock weight mini skeins. They are such a lovely pop of colour. They are 80 meters/20g each and are sold in sets of five. They are spun with a high twist so are perfect for socks.

I’m also taking a Blue Faced Leicester/Nylon Sock weight mix with me. Basically this is for the Nervous Nellies who don’t believe a yarn is strong enough for socks without nylon (although I do love it too and am making socks from it at the moment). This is also spun with a high twist and is sold in 100g hanks.

I’m also taking my Audacious base in DK and 4ply weights. This Wensleydale yarn has such a lovely lustre and I particularly love the ply on the 4ply weight. It will be lovely made into shawls. Both the DK and the 4ply are sold in 100g hanks.

Lastly, this is my Saucy DK base. This yarn come from Dorset Horn sheep, a breed listed as threatened on the Livestock Conservancy watchlist, so I’m particularly excited to be showing this. I just can’t describe how well this yarn takes a dye. Look at the pics to see what I mean. I’ve just dyed up a few skeins of this yarn currently but I plan to dye up a some sweater quantities as I think it will make lovely garments.

So, if you are local to Woodborough in Wiltshire do come and squish the yarn. It will be lovely to see you.

March and April makes

Eep! How can it be the second week of May and I still haven’t shown you my March and April makes? To be fair to myself, I’ve had a lot to process emotionally. I’ll tell you all about it in time, I’m just not ready to share it quite yet.

But I will share my makes. First up was my Siri Cardigan. I just adore this. Knitting the textured yoke was hard on the hands but once that was done, it was a speedy knit. I love the patten so much, I’m planning a Siri sweater for next year. The yarn was from Skein Queen but, alas, has been discontinued.

Next to be finished were some socks in my Dad’s team colours (Brentford F.C. Go Bees!) in a fun self striping merino/nylon mix from Devon Sun Yarn. My Dad’s circulation isn’t great due to a long term disability so he was delighted with hand knit socks.

Also finished in March was a hat of my own design for my brother in Ryeland wool. I knew as soon as I cast on with this yarn, that it wanted to be a hat. It’s such a naturally stretchy wool that it’s great for things that need some negative ease. I dyed the hat, after I knitted it and the one consolation to a late Spring was that my brother was able to get some wear out of his hat straight away. He has declared it very warm which is another plus for Ryeland.

I knitted the first of what has now become several Sweater Bunts for my hand dyed yarn business. They are so cute, I love knitting them. This one is in my Brazen DK base which is British Jacob Wool and would make a great full size sweater. You can visit my shop here.

My final finished item in April was my Stronachlachar sleeveless sweater by Kate Davies Designs knitted in Brune by Daughter of a Shepherd. This was the first garment I’d knitted in naturally dark coloured wool and it is lovely; properly sheepy. However, the combination of darker yarn and a pattern that required concentration right to the end meant it wasn’t a particularly easy evening knit.

In April I also cast on a Flukra hap by Gudrun Johnston. In a burst of madness that I can only blame on my overly emotional state, I decided to make the hap square instead of triangular, as in the pattern. Being a novice hap maker, this has meant lots of head scratching and frogging but I’m onto the lace now so I’m hoping it will be relatively straightforward from here on in. I’m knitting it in a Teeswater lace weight yarn. It’s the first thing I have ever knit in lace weight yarn, so on reflection my pattern choice and it’s subsequent adaption now seems even more crazy. It’s slow progress but it’s mindful process knitting (I’m averaging 2 to 3 rows each evening) rather than speedy product knitting. Although I’d be fibbing if I denied doing the mental maths to see how long I will be knitting this for. I’m guessing it will take me until at least the end of May. But the Teeswater is gorgeous with a lovely lustre so it is hardly a chore!

I also don’t have a travel project on the go at the moment so must remedy that by casting on soon. I’m thinking socks. But am in a quandary over which pattern to choose. There are just so many beautiful ones. I have a high twist beautiful Blue Faced Leicester/Nylon mix in a peach shade already balled up. Which sock pattern is your go to favourite for an easy knit?

The Siri Cardigan pattern can be found here

Devon Sun Yarns is here

The hat pattern is available on Ravelry

Sweater Bunts pattern is here

Click here for Kate Davies Designs

Daughter of a Shepherd is here

Gudrun Johnston’s Flukra pattern is on Ravelry

Flockfest

Next Saturday is Yarn Shop Day and I would urge you to visit your local yarn shop and show them some love.

I live in the countryside and, it really does have moments of pure perfection; the annual village fair on a beautiful sunny bank holiday; stopping stock still on a quiet lane while swifts dart all around you; watching the bats swooping over the mill pond on a warm summer evening; seeing the mayflies dancing above the water of the river, and seeing the trout jumping to catch them; children running free across the fields and through the woods.

But, before I make this sound too idyllic, there are, inevitably, downsides including over flowing septic tanks; freezing temperatures but no heating because the oil ran out and it’s going to be a week until the next delivery; squirrels chewing though the pipes to the calor gas tanks at 4pm on Christmas Eve, meaning you can’t cook a Christmas dinner; mud, lots and lots of mud, so your boots, the dog, the kids, your floors and the car are disgustingly dirty for at least 9 months every year; and, a lack of local shops.

It was this lack of shopping alternatives which was the biggest shock when we moved out from London, 8 years ago. For years, I’d worked a stones throw from Selfridges, with Marylebone High Street only a few minutes walk away. And suddenly we couldn’t even pick up milk on the way home from work; our local (community run) shop isn’t open in the evening or on weekend afternoons and popping to the supermarket now involves a 15 mile round trip.

In the past, every village would have had its own shop. I actually live in the building that used to fulfil this role – it was originally a bread and beer shop, then a general store and cafe, for at least a century until it finally closed in 1984. At one time the village also had a pub, a tannery, a mill, a blacksmith and a school. Now, that’s all gone. Even the church is closed. I’m not able to say with absolute certainty, but it not too much to suggest that each and everyone of these enterprises closed because they didn’t make enough money to provide an income (even the weekly church collection didn’t cover the cost of the heating oil for the Sunday service through the winter). Trade dwindled for village and local shops, countrywide, because rather than shopping frequently for the things they needed, in the 1980s, people started doing a big weekly shop in the new and shiny supermarkets. So village and local shops closed, and once closed, the properties were sold and almost, invariably, the amenity was lost for ever.

So, use it or loose it. Which is why I shop small and local as much as I can. And this applies to yarn shops as much as it applies to grocery shops and bakeries. It might be cheaper to buy your yarn online, and the online store might have a better range, but nothing beats going into a store, breathing in the yarn fumes and having a squish, talking to the wise and learned staff, seeing the inspiring samples, and even honing your skills by taking a class or two. And if your local yarn store doesn’t stock the sort of yarn you want to buy, tell the staff what you’d like to buy, and then if they start to stock it, make sure you buy lots of it. Do it next Saturday!

And if you are near Woodborough in Wiltshire, you can come and see me, because I’ll be showing my hand dyed British wool for the first time ever at Flockfest at Flock on the Plain. To say I am totally excited is an understatement! Details can be found here.

So, come and say hi, breath some yarn fumes and squish some delicious wooliness. It’s going to be super fun.

Shop Opening

Squeeeee!

I’m so excited. I think I might burst.

I have news.

I’ve opened an etsy shop selling my hand dyed wool, and as you can probably tell, I’m a little bit thrilled about it.

It’s something I’ve wanted to do for a long time but it’s a big leap from wanting to do something to summoning the courage and actually taking the plunge.

But I’ve done it.

I’ve been a big supporter of British food for a very long time, shopping small and local, at farmers’ markets, and at the farm gate, as much as I can. And I made a decision at the end of last year, to further support British farmers, by only buying British wool in 2018. I had a passing thought that this might have the added benefit of curbing the growth of my stash. I assumed there would be limited choice. I now realise just how naive I was. Buying British has opened my eyes to the enormous choice and variety in British wool. And its all just so wonderful, and I’ve been having so much fun dyeing all the different breed yarns, seeing how it responds to the dye, trying out different techniques, that I wanted to share.

I’ve started with two bases, Brazen DK which is 100% Jacob, and Audacious DK which is 100% Wensleydale. Both grown and spun in the UK and all hand dyed in my kitchen in rural West Berkshire. In addition to the 100g skeins, I’ve also dyed some 20g mini skeins in these two bases. These are just about the cutest thing ever. I adore them.

I’ll be introducing new bases and weights over the next few weeks; the ever popular Blue Faced Leicester, and after that, I have plans for Dorset Horn, British Falkland Island’s Merino, then Cheviot, Corriedale and ….. the list goes on and on. I think we are going to have a lot of fun exploring all the different breeds.

So pop over to the shop and have a browse, and let me know what you think. Are there any colours you’d especially like to see? Or any breeds you like me to stock? Please do let me know.

Love it Hate it Love it

 

Whilst I have been labouring on my many unfinished wips, I’ve been thinking about why so many have been consigned to the bottom of the wip basket and, have concluded that it’s more than just the delight of casting on with new yarn.


This story will be pretty familiar to anyone who is a crafter but to my non crafting friends, this might come as a bit of a surprise and you’d be forgiven for wondering why I put myself through this all the time.

Almost every project I undertake goes as follows:

  • Buying the yarn or getting yarn in the post “Ooh lovely lovely yarn. Squeeeee. So excited, must cast on”
  • Upon casting on “Oh my goodness this is so amazing, I’m so in love with this”
  • About 1/3 of the way through “So so loving this. Whoo hoooo. Must knit/crochet faster”
  • About 1/2 way through “Hmmm. Is this going to look alright? Is it going to fit? Maybe I should have made something else with this yarn? Hmmm. I’m not sure I even like the yarn any more”
  • About 2/3 of the way through “Ugh. This is awful. I hate it. Why did I ever think this would work? What a colossal waste of time. I can barely bring myself to finish” and, if I’m feeling particularly grim, it’s at this stage that things get relegated to the bottom of the wip basket, never to be seen again (or at least only seen again when I can’t get any more unfinished projects in the wip basket and, like now, have a purge).
  • On completion “I love love love it.”

I know, I know. And let’s not forget, I do this to myself voluntarily.

The plus side of this behaviour is that, once I can bring myself to restart the wip, I’m nearly always pretty quickly into the gratification of completion. So, hurrah for finishing wips is what I say. Here is the latest one I’ve finished – my yarn eating crochet flower rainbow blanket.

Border design


I’m still beavering away on The Blanket Of Doom. However, in the meantime, I’ve been asked a few times about stitches I used on the border on the second of my Cuddlebums Shades Blankets (see here for the Tada! on this). Here is how I did it…

Uk terms.

Round 1. A round of trebles.  To start I chained 3. In each square corner space I made 2 trebles, a treble in the join square and then 2 trebles in the next corner space. At the corners of the blanket I made 5 trebles in the corner space

Round 2. The crab stitch row. This is a row of double crochet but made backwards. This is a bit peculiar the first time you try it but its pretty easy one you get going. There is a good ‘how to’ here. To start I chained 1. In the corner space, I made 3 crab stitches. 
Round 3 Another round of trebles but made in the trebles from Round 1 rather than Round 2. This means the crab stitch from round 2 sits up. To start I chained 3. In the corner space I made 5 trebles.

Round 4. A round of half trebles. To start I chained 2. In the corner space I made 3 half trebles.

Round 5. The bobble row. This took a bit of thinking about. I ended up making 4 trebles then a bobble which is 5 trebles together. There is a good ‘how to’ here albeit it using 3 trebles rather than 5. I used 4 trebles as my ‘spacer’ because it allowed me to pop a bobble neatly in each corner and at the join line of each of the squares and have them neatly spaced between but how many trebles you have in between each bobble would depend on how you wanted to arrange them. For me it was trial and error. To start I chained 3. In the corners, I made a treble, the bobble stitch, and then another treble.

Round 6. As round 4

Round 7. The scallop round. To start I did a slip stitch around until I reached the half treble stitch from round 6 which sat on top of the bobble stitch from 5. Then I chained 3 and made 6 trebles in the 4th stitch from my hook. Then I skipped 4 and made 7 trebles in the next stitch (again above the bobble stitch). This skip 4, 7 trebles in the next stitch forms the pattern. At the corners I did 9 trebles in the corner stitch.


There was also a bit of fudging sometimes to get the numbers to work. For some odd reason I didn’t have the same number of stitches on all 4 sides of my blanket – yep, slap dash work on my part – but there was no way I was going back to sort that out, so in a few places I only made 3 trebles instead of 4  on row 5 which then meant I had to remember and only skip 3 instead of 4 stitches on row 7, and I’m a bobble short on each side at the corners. There was also a fair amount of frogging. I frogged a whole round of trebles because I decided they weren’t working, which was a difficult decision to take given each round was taking such a long time. 

With hindsight, I would have worked out my stitch counts before I got started but, hey ho, you live and learn, and what is life without whimsy.

Cuddlebums 2015 Shades Blanket Club finally finished

Yes! This is just about the first time ever that I’ve made a resolution and stuck to it for more than about a week. If you havent caught up on my resolutions you can read about them here.

It’s so gratifying when you decide to do something and then actually do it until it is done. I really don’t know why I don’t do it more often? Actually, I do, but that not the subject of this post. This post is to revel in the joy that I actually finished something. And a big something at that.


When I signed up to the blanket club at the start of 2015, I had lots of good intententions to prioritise this project. I would make the squares each month when the yarn came in, above all other projects. That lasted until about March, and then things started to slip a little further each month until we got to the end of the club and I realised I wasn’t even close to being half way through making all the squares. This was a blow because I had hoped to present my children with a blanket each for Christmas that year. The realisation dawned that if it was going to be a Christmas present, it would have to be Christmas 2016. You can see how these things get away from themselves!


Anyway, it became my travel project. For a period of about 9 months, I took a ball of the yarn with me everywhere I went and diligently made squares. Actually this made the making very easy. It took me between 15 and 20 minutes to make one square and I got between 9 and 10 squares from a ball, so I spent all the odd 1/2 hours waiting while my children played at various soft plays, theme parks and beaches, making the squares. It was the ideal portable project.

Then I finished the squares and the project quickly became extremely non portable. But I was on a roll and I quickly (well, relatively quickly!) assembled the first blanket. This is it!


And finally, I’ve finished the second. I’m going to let the (many!) photos speak for themselves.








I can wait to put them on the children’s beds.

Next up, The Blanket Of Doom. I kid you not!